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LONGHI, Pietro
Italian Rococo Era Painter, ca.1702-1785
Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting. Related Paintings of LONGHI, Pietro :. | The Rhinoceros (mk08) | The Rhinoceros sg | Duck Shoot on the Lagoon | Vendor of Roast Meat sg | Duck Hunters on the Lagoon s | Related Artists: Eduardo de Martinopainted Combate naval in 1838 - 1912 Newman, Willie BettyAmerican, 1863-1935 Vasco FernandesVasco Fernandes (c.1475-c.1542), better known as Grão Vasco, was one of the main Portuguese Renaissance painters.
Vasco Fernandes was probably born in Viseu, in Northern Portugal, where he began his career in the team of painters executing the main altarpiece of Viseu Cathedral (1501-1506). Between 1506 and 1511 he painted the main altarpiece of Lamego Cathedral. After working in the Santa Cruz Monastery of Coimbra, Vasco Fernandes returned to Viseu and executed a series of altarpieces for Viseu Cathedral, considered his main works.
Most of his paintings hang nowadays in the Grão Vasco Museum, in Viseu.
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